In 2019, I left my hometown Cologne (Germany) to live in Brisbane (Australia). I started building a new home for myself in this hitherto unfamiliar place. A year in, I began taking portraits of my newfound friends and family. Working with my analog large-format camera, I created my version of the 20th-century family photograph.

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Inspired by Thomas Struth’s “Familienleben” (Family Life), these analog large-format photographs, serve as a survey of my new environment. Akin to Struth, my interest was initiated by an attempt to analyse and understand my own family history and my decision to leave Germany.

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Family is the smallest societal unit and the integral building block on which wider society is built. Our family defines us, even in their absence. In 2021, my first child was born and my understanding of what family is drastically changed. Suddenly, I was no longer just a daughter, sister, aunt or cousin. I was now a parent and creator of my own family.

 

My life revolved primarily around the family home. Next to continuing the portrait series, I began documenting my own family life. These images are an intimate and honest insight into the messy chaos, exhaustion and intense beauty of raising little children. They sit in juxtaposition to the staged family portraits. Where the portraits take an outsider's perspective, these images are looking in.

 

Working with a large format camera requires concentration and patience, both on my part and that of the portrayed. Possibly due to the awkwardness of the process, the resulting images reveal a certain vulnerability. The portraits represent a public image of each family, whilst also revealing the fragility of our own self-image.